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Biography

Born in Iran in 1978, Mehrdad Naraghi Studied in Sharif University of Technology. His enthusiasm for photography motivated him to complete courses in it and shift his focus from engineering. His approach involves showing the significance of human existence by capturing imagery of places and things which have been impressed upon by human experience; the silent and empty places that seem to have been left behind. He is inspired by painting and strives to exemplify the qualities of light and color in his works which he appreciates in painting. He exhibits regularly in Tehran and has taken part in many group exhibitions internationally, including Photo Quai ( Musée du Quai Branly, Paris), 165 years of Iranian photography ( Musée du Quai Branly, Paris) and That Shimmering beast (The Empty Quarter Gallery, Dubai). In addition, his works have been published in magazines and books, including Different Sames: New perspectives in Iranian Contemporary Art , Connaissance des Arts (No21) and La photographie iranienne, ( Un regard sur la création contemporaine en Iran ).

Press


Exhibitions

Group Exhibitions

  • > 2002 VARA Group: Photography Exhibition

  • Seyhoon Gallery, Tehran, Iran

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    > 2004 The Other City: Photography Exhibition

  • Seyhoon Gallery, Tehran, Iran

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    > 2005 Photography Exhibition

  • Silk Road Art Gallery, Tehran, Iran

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    > 2006 Subject: Photo/Video Art Exhibition

  • Aria Gallery, Tehran, Iran

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    > 2010 That Shimmering Beast: Photography Exhibition

  • (Virgilio Ferreira, Miyouki Okyuama & Mehrdad Naraghi)
  • The Empty Quarter Gallery, Dubai, UAE

Solo Exhibitions

  • > 2007 Cars: Photography Exhibition

  • Silk Road Art Gallery, Tehran, Iran

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    > 2009 The House: Photography Exhibition

  • Silk Road Art Gallery, Tehran, Iran

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    > 2012 The Fairyland: Photography Exhibition

  • Silk Road Art Gallery, Tehran, Iran

Art Events

  • > 2004 Majdanek 2004, VII International Art Triennal

  • Lublin, Poland

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    > 2004 The 9th Tehran Photo Biennial

  • Khiyal Art Gallery, Tehran, Iran

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    > 2007 Photo Quai

  • The Biennial of the images of the world
    Musée du Quai Branly, Paris, France

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    > 2008 The 11th Iran Photo Biennial

  • Khiyal Art Gallery, Tehran , Iran

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    > 2009 165 Years of Iranian Photography

  • Musée du Quai Branly, Paris, France

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    > 2010 The House: Outdoor projection

  • Renegade Group, Art in open spaces

  • Gorizia & Trieste, Italy

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    > 2010 Abu Dhabi Art 2010
    Abu Dhabi, UAE

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    > 2011 Galley Huite Photography Open Salon 2011

    Arles, France

Awards

  • 3rd winner in Human Habitation, Young Artists Competition on the occasion of the World Habitat Day | London, England

The Fairyland


The Fairyland

 

The fairyland calls upon us,
Among the trees that stand still
Only to be viewed as symbols.
At a place where everything and anything is possible to be seen
A miracle raised from a dazzling light
Peeping through the amorphous leaves.
Inside a mysterious gloom where no decoding is expected


In this land,
In this fairyland
Far beyond the bitter logic of time,
Far beyond our unchosen land of birth,
Far beyond the past grieves and future anxieties,
Safe from the games that life ceaselessly plays upon us,
Every minute, every second…
A reflection of our childhood stories
A return to them
No! Not the hapless ones
Not those that drown us in pain…


We then gladly enter the gate of this fairyland.
If only our feet is not too glued to this earth.
We will then either be puzzled, gazing and waiting for a magic that has long been expected…
Or sleep in the meadows
A step toward eternal peace,
An eternal rest.


Mehrdad Naraghi


The House


The House

 

The sense of emptiness of a house whose occupants have departed is somehow striking for me. There is a profound feeling -somewhat- strange about the abandoned houses. Most of the time there is a sad story behind it; forced immigration, need for money, grown children who have left or even death.


We can feel it through the remains which occupy a place here and there. The things that have been forgotten or ignored to be taken along seem useless now. In addition there are objects with memories which were left intentionally untouched so as to be forgotten or maybe left to be part of a history.


Time plays the main role for this abandonment. The pictures of large gatherings, child's birthdays, wedding parties and ... are covered with dust and left on the drawer. Yes these are all reminders that time is passing.


Live memories of moments have continued their life and have led us to an essential question. Which one is more real, a person who was sitting on the arm chair and has been recorded in my mind or the empty chair?


It's left for me to believe that its typical characteristic of human existence which we can feel, hear and smell even in absence.


Mehrdad Naraghi


Cars


Cars


Fog & Darkness


Fog & Darkness


Contact

info@mehrdadnaraghi.com